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TONUS
ALBUMS
ARTISTS
EDITIONS
REVIEWS
authentic & original
utter luminosity... utterly beguiling... utterly spellbinding... utterly brilliant, and utterly fearless
JERUSALEM-YERUSHALAYIM
an oratorio for our times
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TONUS PEREGRINUS goes choirbooking in Eton College Library (5/5): 'A Little Lambe'
27/01/2024
TONUS PEREGRINUS goes choirbooking in Eton College Library (1/5): 'Brownian Motion'
09/12/2023
O Lord, make Thy servant Elizabeth our Queen by William Byrd (The Dow Partbooks) – TONUS PEREGRINUS
09/09/2022
JERUSALEM-YERUSHALAYIM – TONUS PEREGRINUS remastered Jubilee Edition (trailer) with DAVID SUCHET
06/07/2022
JERUSALEM-YERUSHALAYIM – Blessing & Cursing (extract)
25/05/2022
William Byrd's Ne irascaris, as sung by TONUS PEREGRINUS from the Dow Partbooks in VINUM ET MUSICA
26/09/2021
NAXOS
Milestones of Western Music
MUSIC FROM THE ETON CHOIRBOOK (8.572840)
The Eton Choirbook is a giant 500 year-old manuscript from Eton College Chapel, and one of the greatest surviving glories of pre-Reformation England. This recording features the earliest polyphonic Passion by a named composer, two heartrending motets for five and six voices, two thrilling settings of the Magnificat, and an extraordinary canon in 13 parts, Jesus autem transiens. The ensemble TONUS PEREGRINUS has been widely acclaimed, not least for its “richly sung and very well recorded” programme of Orlando Gibbons, L’Estrange, and Pitts. (The Penguin Guide on 8.557681) The Eton Choirbook is a giant 500 year-old manuscript from Eton College Chapel, and one of the greatest surviving glories of pre-Reformation England. This recording features the earliest polyphonic Passion by a named composer, two heartrending motets for five and six voices, two thrilling settings of the Magnificat, and an extraordinary canon in 13 parts, Jesus autem transiens. The ensemble TONUS PEREGRINUS has…
SACRED MUSIC FROM NOTRE-DAME CATHEDRAL (8.557340)
From plainchant via simple 9th-century harmonies and the virtuosic duets of Master Léonin (known as organum), this hauntingly beautiful sequence charts the birth of polyphony up to the first music in four independent parts – composed by Master Pérotin and sung during the liturgy at the new Cathedral of Notre-Dame in Paris. From the official laying of the cornerstone in 1163 to the completion of the famous Western façade almost a hundred years later, Notre-Dame was the fertile home of singers and composers whose extraordinary handiwork has come down to us in the magnus liber organi: the “Great Book of Organum”. From plainchant via simple 9th-century harmonies and the virtuosic duets of Master Léonin (known as organum), this hauntingly beautiful sequence charts the birth of polyphony up to the first music in four independent parts – composed by Master Pérotin and sung during the liturgy at the new Cathedral of Notre-Dame in Paris. From the official laying of the cornerstone…
PASSIO (8.555860)
Born near Tallinn in Estonia in 1935, Arvo Pärt emigrated in 1980 and settled in Berlin. Soon after emigrating, Pärt completed the St John Passion which he based on his new-found tintinnabuli principle that “the melody and the accompaniment is one”. Settings of the Passion are part of a very early tradition in the Church, and in Pärt’s setting it is the text itself which
SWEET HARMONY – JOHN DUNSTAPLE (8.557341)
John Dunstaple (a.k.a. Dunstable) was not just the first truly great English composer, he was also musical godfather to the Renaissance. In the middle of the 15th Century poet Martin le Franc famously described how Dufay had adopted the English manner championed by Dunstaple – la contenance Angloise – and how, to Continental ears, this new style of music sounded so fresh, and above all, joyful. From the sweet-sounding triads of Quam pulchra es to the total harmonic control of Veni Sancte Spiritus – Veni Creator, this selection of Dunstaple’s sacred music must simply rank as some of the happiest music ever recorded. John Dunstaple (a.k.a. Dunstable) was not just the first truly great English composer, he was also musical godfather to the Renaissance. In the middle of the 15th Century poet Martin le Franc famously described how Dufay had adopted the English manner championed by Dunstaple – la contenance Angloise – and how, to Continental ears, this new style of music sounded…
Blessing and Cursing – from JERUSALEM-YERUSHALAYIM
JERUSALEM-YERUSHALAYIM – download from 1equalmusic at Hyperion Records
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Ad Dominum cum tribularer – from OLD MASTERS, Vol. 1
OLD MASTERS, Vol. 1 – listen on Spotify
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Mad World – from KNOWN UNKNOWN
KNOWN UNKNOWN – download from 1equalmusic at Hyperion Records
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Sive vigilem – from VINUM ET MUSICA
VINUM & MUSICA – download from 1equalmusic at Hyperion Records
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The Lord’s Prayer – from SEVEN LETTERS
SEVEN LETTERS – download from 1equalmusic at Hyperion Records
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Hark! the Herald Angels Sing (celebration mix) – from HARK! (remastered) – featuring Joanna Forbes L'Estrange
HARK! – download from 1equalmusic at Bandcamp
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